How To Approach Hot Women Using Qualification Method

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How To Approach Hot Women Using Qualification Method

I felt I was sharing something that had been extremely important for me. Alright I haven't had time to write any FR reports of any kind, when you do so many it becomes pointless unless something unique happened which in this case makes it all the more worth while. Usually my game is to have an extremely strong frame and be in control of the sexual power all the time and dominate the girl this way. I dressed very stylishly, they can not resist. I was at rooftop bar sitting by myself. There was a 5 girls sets across the room. I noticed a girl who drank tequila at the 1st bar. She seemed interesting and I became more curious about her.

I can tell she had tattoos running up her arm b/c I see the tattoo streaming down to her knuckles. I told myself 'today, I am going to go to the city and either get a daytime kiss or f..k this girl'. I use 'We should get married!' opener. I liked the way she moves, gestures, so, just for shits and giggles. I try qualification method - its really work! I tapping her on the shoulder. She said: 'I'm the ultimate sexual fantasy'. She would later prove this correct. Woo, boring questions lead to interesting conversations!

Soon we were kissing and after that, doing some foreplay. I whispered in her ear oh sweet, that means you have to enjoy of life. I was super dominant and sexual, groaning and breathing really heavy in her ears. She seems was interested but she said she was a virgin. While she said this I put my mouth millimeters from her mouth as if I am going to kiss her. When she feels the sexual tension she starts laughing and I say, 'Under no circumstances are you allowed to touch me!' This kind of gaming goes on for a while. However I was with this girl for 7 months.

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Approach Hot Lady Using Favorite Liquor Routine

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Approach Hot Lady Using Favorite Liquor Routine

I post this here because I've been busy with my studies and other activites. It was just after I had finished The Masterclass. I don't think I was particularly alpha but I did speak to a lot of sets. I havent showered.. Im wearing an old T-shirt.. sneakers.. and I could have used a shave.. but hey.. what the hell do I care right? I headed to the this club alone. There were a lot of girls, but few of them was hot. At the next table sat a girl of my dreams. She was amazing I can't lie.

She had a slim body and looked attractive. As I came closer I could see she was a little older, but still very attractive. She had jet black short hair, wore glasses and had a very pretty face. Seems She was 25-27, but could easily pass for 22. I told myself 'today, I am going to go to the city and either get a daytime kiss or f..k this girl'. I just said to her: 'I'm a pretty popular guy, but today I am willing to exchange my popularity to one your kiss'. She laughed. She giggled. At this time I have successfully used Favorite liquor routine. I sit in front of her with a smile. She was clearly trying to kiss me by moving closer, looking at my lips, and trailing her sentences off. She shivered and shot me a seductive glance.

I told her she could sit on my lap. I knew she was into me but I had to let her know she was getting laid so she would relax and flow with it. She was a bit taken aback by my forwardness, but that was part of my intention. She said 'No! Not here!'. Then I decided to use my main weapon, I told her: 'You got me, secretly im the worlds greatest pick up artist and i go around the world teaching men how to get women into bed.( I then go into detail about it and talk about it with her for a few minutes, its all recorded if anyone wants to hear it). It was a strange new toilet close experience.

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Arbor Day

"In Douglas Sirk's grand melodrama Written on the Wind" (1956), "the river" represents a sort of lost innocence, a past happiness (however illusory). When in the film the river is finally shown, the actual location associated with this long lost innocence is at the base of a giant old tree (a sycamore?) perched along the bank of the river. The sanctity of the place by the river is like that of a sacred grove. Trees have figured prominently in world mythology, largely figuratively, as in the image of the "tree of life," for instance, or as a metaphor for family relationships, as in "family tree." Forbidden fruit is associated with the tree of the knowledge of good and evil, but in "The Hanging Tree" (1959), the titular tree is a multivalent symbol, an emblem of death (crucifixion) as well as life. The lyrics to Marty Robbins' song, "The Hanging Tree" makes this linkage explicit: the tree of death becomes the tree of life, associated with the moment in the story when the hero is saved by the power of love. Cast in structuralist terms, the hanging tree is an "excessive signifier". In "The Melodramatic Imagination", Peter Brooks argues the melodramatic form creates an asymmetrical relationship between the signifier and the signified, specifically, a signified in "excess" of the signifier. This asymmetry "in turn produces an excessive signifier, making large and insubstantial claims on meaning." Songwriters love trees because their conventional symbolism allows the songwriter to invoke a certain emotion or value-the oak with steadfast endurance, the (weeping) willow with melancholy, the palm tree with the erotic pleasures of paradise, and so on. The yew tree represents the mourning for a lost loved one, and is associated with death. Hence the yew tree is often found near churches and cemeteries as a reminder to the bereaved of the spirit's ultimate victory over death. Likewise, in the sublime "Bristlecone Pine," the tree (several thousand years old) is an image of eternal life. The reference to the sycamore tree in "Mama" Cass Elliott's "Dream A Little Dream Of Me" (first recorded by Ozzie Nelson and His Orchestra in 1931) is not entirely capricious given that the song is a love song. Given their longevity, there is a long tradition of sycamore trees being planted by the door of the homes of newlyweds. My remarks are intended only to suggest the richness of the subject of the mythology of trees, and are therefore hardly definitive. What follows is a short playlist of songs with arboreal references.

"SONGS FROM THE WOOD":

The Ames Brothers - "Tammy"

The Andrews Sisters - "Don't Sit Under the Apple Tree (With Anyone Else But Me)"

Joan Armatrading - "Willow"

The Band - "Whispering Pines"

The Beach Boys - "California Girls"

The Beatles - "Matchbox"

The Brothers Four -" Yellow Bird"

Mama Cass Elliott - "Dream A Little Dream Of Me"

James Darren - "Under the Yum Yum Tree"

Dawn with Tony Orlando - "Tie A Yellow Ribbon Round The Ole Oak Tree"

Dino Fitzgerald - "Apple on a Cherry Tree"

Ella Fitzgerald - "St. Louis Blues" (Fitzgerald's version only)

Fleetwood Mac - "Bare Trees"

Dick Gaughan - "The Yew Tree"

Johnny Horton - "Whispering Pines"

Alan Jackson - "Tall, Tall Trees"

Jethro Tull - "Songs From the Wood"

Tom Jones - "Green, Green Grass of Home"

Lynyrd Skynyrd - "That Smell"

Peter, Paul and Mary - "Lemon Tree"

The Platters - "Trees"

Radiohead - "Fake Plastic Trees"

Marty Robbins - "The Hanging Tree"

Rush - "The Trees"

Jim Salestrom - "Bristlecone Pine"

Frank Sinatra - "Willow Weep For Me"

The Steve Miller Band - "The Joker"

U2 - "One Tree Hill"

Stevie Wonder - "Tree"Copyright 2010 by Sam Umland